2/28/2023 0 Comments My days of mercy 2017![]() We tried to build kind of a texture with the background. Why are some people like that and the others are the opposite? ![]() So this is really interesting for me to understand why some people are like that. ![]() So for the pro-death penalty people, it's like a closure when they see the other person dead. For instance, if someone hurts you, some people really need revenge. What's interesting for me is to see how see how different people have different needs and different approaches to things. The subject is really, really interesting for me, again, more from a psychological aspect. Not only me, like me and the D.P., who is Polish, and also the other people in the crew, we had a lot of questions and she prepared information for us about the death penalty and a lot more. One of the associate producers on the picture, Talia, she's also Israeli, and she helped us a lot with that. I watched documentaries, read a lot of articles. Shalom-Ezer: Obviously we spent a few months there for the shoot, and so I had some time to get to know the area. NFS: How did you research middle America to understand the feeling of that part of the country? When I met my partner, she asked me to express truths and things I wasn't able to before I met her, so that was very strong for me. It feels so familiar to me in my own relationship. I remember when I first read the script, I felt like "Wow, this relationship between Lucy and Mercy, it really reminds me of my own relationship when I met my partner, actually." The feeling of "Wow, I just found home." Lucy found someone that really speaks to her, someone who really encouraged her to find her own truth. ![]() My Days of Mercy is very dark and very, very painful, but there's something about the love story here, it's just so beautiful, in my opinion, and so to me, it was like a true gift. It is a dream, especially to me, because my previous movies are a little bit darker. Shalom-Ezer: Yeah, exactly, because they watched Princess. NFS: How did they approach you? They just found you from Princess and they reached out? I felt very strongly about that, and then I had a meeting with Ellen and Kate, and again, we felt a strong connection, the three of us.Ī few minutes later, they sent me an official email offering me the job and telling me, "Please, we want you to direct the movie." It was really, very, very special. There are many similarities in our lives. They offered me to do this movie, and I couldn't believe that this was happening, because first I got the script from my agent, and I felt such a strong connection to the story and such a strong connection to the character, to Lucy, especially. Despite being on opposite sides of a hotly contested political issue, Lucy and Mercy begin a passionate relationship, which becomes more and more complicated as personal details unfold we learn that Lucy’s own father is on death row, accused of killing her mother when Lucy was a young teen. Lucy is an anti-death-row activist, who meets Mercy at an execution that Mercy supports. In the film, Page plays Lucy opposite Mara’s Mercy. The project was a leap for Shalom-Ezer, from Hebrew-language films produced in her home country and cast with relative unknowns, to an American-made, English-language film featuring big stars, but the results are breathtaking. "They offered me to do this movie, and I couldn't believe that this was happening." Veritable modern indie royalty, actors Ellen Page and Kate Mara, backed by Christine Vachon and Killer Films, rang the director up and asked her to helm their next project, My Days of Mercy. It was this intimate directing style and portrayal of raw humanity that presumably led to the phone call that Shalom-Ezer received-one that all burgeoning directors hope for but few expect. Words like “nauseating” and “disturbing” were used in reviews of the film, but Shalom-Ezer was also universally praised for her direction of the uncomfortable story. Israeli Director Tali Shalom-Ezer’s feature Princess made waves at Sundance 2015 for its borderline taboo portrayal of budding young sexuality and adult behavior that many would consider inappropriate if not illegal. For Israeli director Tali Shalom-Ezer, a Sundance debut truly was her calling card. ![]()
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